“And all the while, Michael Johnston lay in his 
hospital bed, gloating and festering his way toward the darkness, 
carrying with him all those unshed secrets. Somehow, he had turned their
 investigation into a game, a twisted monster’s final amusement.”
Laurie
 R. King has given us such thrilling stories in her Russell and Holmes 
series, her Kate Martinelli series, her Stuyvesant & Grey books, and
 her stand-alones. Now she has a new series starting that features a new
 lead character, Raquel Laing, and she looks to be another whom readers 
will want to follow. Back to the Garden is a book that deals with two 
timelines fifty years apart, going back to the 1970s in California where
 free lovers and free spirits also became targets for serial killers.
Raquel
 Laing is an Inspector for the San Franciso Police, currently working in
 the Cold Cases Unit. She had only been a patrol police-person for six 
years when she landed a desk in homicide, which many of her co-workers 
resented. They refer to her a Sherlock, which Raquel hates. But there’s 
no denying how good she is at her job, and her mentor, Al Hawkin (of 
Kate Martinelli series fame), has brought her onto his Cold Cases team. 
She has great intuitive skills; she can read people and tell if they’re 
truthful or not. It’s not magic, just good detecting. Although her 
social skills are lacking, sometimes sidestepping the leading up to and 
finishing touches of a conversation, Raquel can cut through the 
deception of a suspect or criminal and get results. 
And, it’s 
Raquel’s detecting skills that her boss Al Hawkin is sorely in need of 
in finding a serial killer. When the killer is revealed through Raquel’s
 acute observational skills (a fascinating observation), a new urgency 
arises. The Highwayman, the name given to this particular serial killer,
 is currently in a hospital bed near death, and Al’s cold case 
department is working hard to get locations and names of at least 
nineteen victims. Despite her lack of social graces, or maybe because of
 it, Raquel is the only one who can communicate with him effectively at 
all. The killer thrills at remembering how he snuffed out the life of 
the young women and shows no remorse even as he’s dying.
The 
Gardener Estate and its mansion has long been a source of curiosity for 
people. Its history includes a struggle between the older generation and
 the younger of what its legacy should be. The Gardener brothers Rob and
 Fort were raised by their grandfather and their great-grandmother on 
the estate to be the suitable heirs. The problem was that neither 
brother wanted to carry on a legacy or be like their grandfather in any 
way. So, Rob went off to fight in Viet Nam in the early 1970s and Fort 
went to India to learn a new way of life. 
Back from Vietnam, Rob
 was at a commune in Oregon when he heard his grandfather had died and 
left him the estate. So, in what must have had his grandfather spinning 
in his grave, Rob takes the commune he’s in from Oregon to California to
 make the Gardener mansion their new home. Fort even joins him after a 
bit, as it is part of Fort’s spiritual journey. The commune called The 
Commons is successful for four years, and artists, such as famous 
singers and sculptors visit at times. One sculptor who was particularly 
interested in putting her mark on the estate was Gaddo, famous enough to
 just have one name. 
Returning to present day, the Gardener Estate is open to the public, with an estate manager and archivist, and 
people take tours to see both the glamorous parts of its beginnings and 
the transformational parts of the commune years. One point of pride for 
the manager of the estate, Jen Bachus, is the restoration of the 
gardens. It’s in the upkeep of the gardens where a problem appears in a 
Gaddo statue. It’s in danger of toppling over, so it will have to be 
removed, concrete base and all, to have work done. Its removal reveals a
 secret from 50 years ago, when the statue of three Eves was erected on 
that spot. Under the concrete is a skull with blonde hair attached. The 
skeleton under concrete fits the pattern of the Highwayman serial 
killer, so Raquel is sent to investigate.
The story is divided 
into “Then” and “Now” chapters, and both timelines are engaging. As the 
70s saw me graduate from high school, graduate from college, and get 
married. I relished the visit to my younger days, connecting to the many
 references and allusions of the “then” chapters. Early seventies, it 
was still a time of hippies and communes and free love. By the end of 
the seventies those were fading out some. But, the Gardener Estate saw 
four years of this testing of a different way of life, and readers of 
this book will get a taste of it, learning that even in a free spirit 
type of existence there were leaders, certain people/characters who kept
 things running. In getting to know the characters who, along with Rob 
and his partner Meadow, kept the commune going, readers will start to 
dread who of them, if any, might be the skeleton found. 
The 
“Now” timeline is a more tense one, as time itself is running out for 
the victims and their families to find closure from the tragic deaths of
 the young women. Raquel Laing is indefatigable in her pursuit for 
justice, and her scenes with the serial killer, Michael Johnston, haunt 
her, as well as the reader. While she’s trying to get locations and 
names from the monster who controls the information, she is majorly 
involved in trying to determine if the Gardener Estate skeleton is one 
of the Highwayman’s and who it is.
There is a large cast of 
characters in this story, from both the “then” and the “now”.  The reader
 is privy to multiple points of view and as Detective Laing is gathering
 information in her interviews with different people, the reader will be
 gathering clues and revelations for an explanation and resolution of 
events, too. One of the characters who gives a birds-eye view of the 
commune days is the estate lawyer, Jerry Rathford. Through the early 
days of him delivering the news to Rob of his grandfather’s death and 
Rob’s inheritance, Jerry is a reliable part of the timeline from the 
transformation of the Gardener Estate from palatial mansion to commune 
to a landmark historical spot. Jerry’s recollections of his visits to 
the commune introduces readers to many of the commune members.
The
 character of Raquel Laing remains a rather enigmatic one throughout the
 book, and in a recent discussion of the book by the author, she said 
that’s how she intended it. It’s interesting to hear authors talk about 
their characters, as so many authors say they listen to their 
characters, waiting for them to reveal their personality and thoughts. 
According to Laurie King, Raquel played things very close to the vest, 
not even revealing how her leg got injured, which has caused her to use a
 cane. And yet, readers will be able to ascertain much about Raquel by 
her actions. We know for certain that she cares deeply about obtaining 
justice for the victims and closure for families. She even shows some 
personal information in connection with her slow-burning attraction to 
someone in the story. But, she is a deliberate, thinking person who is 
not prone to impulsive behavior. Her physical appearance suggests a 
no-nonsense, no-frills person—"Small, tough looking, but with the most 
extraordinary eyes, a sort of translucent amber color… the rest of her 
was the very opposite of showy: cropped hair, no makeup, “a teal shirt 
with rolled-up sleeves, khaki pants, sturdy walking shoes, and a cane.”
Back
 to the Garden is a chilling tale, a time of change in what had always
 been and the aftermath of how it wasn’t all flowers in your hair love. 
It’s a police procedural that takes some turns away from what’s legal, 
but the process is fascinating. Laurie King has taken me on so many 
amazing adventures and down so many dark roads of twisted suspense, and 
this book can take its place proudly in her repertoire. I’m delighted 
with the new character of Raquel Laing, and I am looking forward to 
learning more about her. King has stated that she hopes to keep the 
“then” and “now” format to this series, and that suits me fine. There 
are lots of interesting threads to the world of Raquel, and there’s no 
one better to explore those than Laurie King. 

 
 
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